"Suite is a term from 14th century classical music, for a series of dances. By the 17th century it grew into a collection of compositions that were thematically and tonally linked.
I like the name for this collection of songs because the sabar drumming ensembles of Senegal (like the one you hear on this recording) were originally intended to accompany traditional dance." - Leni
Dakar Suite (2016)
Leni Stern: electric/acoustic/baritone guitars
n’goni, lead, and backing vocals
Alioune Faye: djembe & n’der
Baye Demba Faye: mbangbang
Gibbi Faye: goron gu talmbat
Eladje Faye: dcho
Moussa Faye: toungoune
Baye Faye: dje, tom bass (Mercy reprise)
Makura Mbaye: percussion assistant
Aboubakar Sidiki Sacko: n’goni
Mamadou Ba: electric bass & n’goni bass
James Genus: acoustic bass
Leo Genovese: piano & Farfisa
Karen Waltuch: viola
George Brooks: saxophones
Gil Goldstein: accordion
Jonathan Goldberger: guitar & tape echo
Shane Theriot: electric & acoustic guitars, lap steel, Omnichord
Lara Bello, Emily Elbert, Nalani and Sarina Bolton,
Keith Anthony Fluitt, Alioune Faye: backing vocals
click the link below for a preview
We played a week in Germany (playing the music of our upcoming CD...Dakar Suite). We had a great time playing and thank you to our fabulous German audience for coming out in the snow!
Leni's song "Gnate Yone (How Many Times)" from Jelell has won 1st place in the world music category for the 2015 USA Songwriting Competition. Stay tuned for more info...
I just returned from an incredible week in Kathmandu, Nepal playing at the 2015 Jazzmandu Festival. I met many wonderful musicians and bands from around the world! The resolve and spirit of the Nepalese people following such a great tragedy was inspiring to say the least.
Leni and Moto (from House of Water) are playing weekly new compositions with special guests. NOV 14, 21, 28
I got to play with the amazing George Brooks and James Genus in SF. There was an extra special audience member --- Zakir Hussain!!!!!
I had a VERY inspired clinic/concert at LACM -- thank you Adam Levy (dean of guitar!)
I spent last week at the Wooten Woods camp in Tennessee, an hour outside of Nashville. It is the creation of #VictorWooten, the amazing #bassist.
Mike and I had a fantastic time!! We were way off the beaten path in the woods, by a large stream, teaching 28 young musicians from all over the world.
We had wing shun kung fu classes by a student of It man !!!! and nature classes where the students learned to identify tracks and bugs ( like the one that crawled up my pants when i was teaching!!!!!!!!!!!!) and snakes ( water mocassins and rattlesnakes - ayayayayayay)
There was a huge organic vegetable garden out back and meals were cooked by an awesome chef with fresh produce from there.
The best thing was, that by the time we got to the camp, all the students had been infected with the irresistable Wooten groove…and young boys from Pakistan to Sweden were grooving like hell!!
I’m finally in St Louis, Senegal, the site of the jazz festival where we are playing. A prehistoric bus met us in Dakar to take all of our equipment to St Louis. Actually, it was supposed to take us as well, but I hired cars....it was too adventurous even for my taste!
The rehearsals have been amazing! My jaw keeps dropping whenever the Faye brothers play. In all my time in africa I have never heard anything like it. Alioune has composed a series of drum calls to go with the new songs. The Faye brothers are so soft-spoken and sweet... until they get behind the drums, then all hell breaks loose.
The audience yesterday loved our rendition of traditional Senegalese songs, and they all sang along. We played on a boat that was anchored in front of the large venue. The river Senegal has some waves, and I was scared to slip into the water with my amp and pedals. Today, thank god, they moved the stage to land and set VIP sofas up on the boat.
The whole band only speaks Wollof now and I hobble along. It’s actually helpful with the Wollof lyrics I am singing. My accent gets better and better, and everybody is terribly amused by it!
So excited to be heading to Nicaragua for 5 days on March 17th. Happy to be a sidewoman and happy to make new musical partnerships. I'll be playing with the fabulous singer Mariella.
"And my wife, Leni, happened to be in the studio and we asked her to improvise on the spot a couple of preludes to songs, with her doing vocals and playing the ngoni. I don’t know how she does it with the n'goni—I’m still into trying to figure out how to play the same old blues licks on guitar. We were thinking of doing short vignettes in between some of the songs, but what Leni did was perfect."
- Mike Stern - in the FEB/2015 DOWNBEAT MAGAZINE article SIX STRING SUMMIT, about recording his new record, Eclectic with Eric Johnson.
Friday, January 9th 11pm
Why Not Jazz Room
14 Christopher Street
Saturday, January 10th 10pm
300 W 116th Street
Sunday, January 11th 9pm
62 Ave C
Monday, January 12th 6pm
Rockwood Music Hall
196 Allen Street
Monday, January 13th 10pm
The 55 Bar
55 Christopher Street
December 1st - 9pm
I'll be playing GUITAR with NALANI & SARINA at the Bitter End.
This Wednesday, Novemeber 19th.
I’m also playing CALABASH(!) with Kofo (the Wonderman)
this Friday 11/21…at ZInc Bar - 10pm. I’ll be happy this once to leave my guitar at home ;)
- with Kaiissa Touhill Performing Arts Center, Friday October 17th, 8pm
University of Missouri, St. Louis
- with Lara Bello at the Instituto Cervantes, October 23rd, 7pm, NYC
- with Kofo at the Zinc Bar - October 24th, 10pm, NYC
- with House of Water at Rockwood III, October 25th, 10pm, NYC
Leni, Alione, and Mamadou are off to Poland this weekend to play the MEMORIAL TO MILES - TARGI KIELCE JAZZ FESTIVAL...
I can't believe how lucky I am!!!
I arrived in Bamako last night and went straight to Bassekou and Ami's house in the Bankoni district of Bamako. Haidera the great immam, fixed up all the roads, so unlike last year, the rainy season storms had not washed out the way up the hill.
Bassekou showed me 3 new scales on his 4-string n'gonis. He says they are the old way of playing like his father used to do...songs from the 17th century when Mali was a thriving kingdom. I recorded three new songs. His mother Yagare was in great spirits and started singing, like she used to with Bassekou's father. I heard the beginnings of the blues right there in Bassekou's courtyard.
I am still mystified about the tunings. Bassekou's father played the n'goni ba that's hanging in the living room. It has 5 strings and is tuned a minor third below the 4 string jelly n'goni. I had my tuner with me last night in an attempt to get to the bottom of the tuning mystery. From what I know today it is best to look at it like our altered tunings, there's one for every song. Boy am I glad that I don't have to pull the leather frets up and down since I installed fender tuners on my n'gonis.
Ami had prepared a big fried fish with noodles, american style. Men and women ate separately, on two sides of the courtyard with the tree in the middle. I loved being surrounded by all the children and their two new little cats... no mice in this house! I was very happy that I succeeded in convincing Ami that the danger from mice and rats around all these little kids was far greater than the evil spirits that could pose as cats, as people here believe.